Sunday, February 23, 2020

Reflections upon Reading Pierre Hadot


Philosophy as a Way of Life by Pierre Hadot has been the most thought provoking book I’ve read in a very long time, and has caused me to re-examine my approach to philosophy/theology and the writings of antiquity in general. The basic thesis of the book is that philosophy – properly speaking – is not solely an intellectual exercise or system of abstract arguments, but rather of way of living and perceiving reality that is elevated and separate from the ways of the world. What exactly this means in every tradition does differ, but the focus on right living with the intentions of self-perfection and realization runs through every philosophical school in the ancient world.

The philosophical act is not situated merely on the cognitive level, but on that of the self and of being. … It raises the individual from an inauthentic condition of life, darkened by unconsciousness and harassed by worry, to an authentic state of life, in which he attains self-consciousness, an exact vision of the world, inner peace, and freedom. (p. 83).

I will not go through his argumentation, but Hadot devotes a good amount of time to the major ancient philosophical schools (which includes Christianity) to demonstrate how they attempted to achieve this goal.

Since I’ve finished this book I’ve acutely felt the insignificance of my own education and what I’ve previously passed off as “doing philosophy.” It didn’t take me long to realize that my first conscious attempt at philosophy, which mainly consisted of blindly memorizing arguments for the sake of debate, was more of an exercise in self-indulgence than anything else.

Monday, February 17, 2020

Gould Plays Bach


Far from being the flat, uninspiring, academic music that it’s made out to be, Glenn Gould showcases Bach at his most dynamic and powerful, with dramatic force and emotion that rivals the works of the great romantics.

This is a video I’ve returned to again and again over the years, it's probably my favourite recording of classical music. 

The performance starts at about 5:08.